Paragraf Testleri 4
Paragraf Testleri 4
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Soru 1 |
One of the most curious characteristics of sea horses is the way they reproduce. The male, not the female, carries the fertilised eggs. On the male's abdomen is a pocket called a brood pouch, which resembles the pouch of a kangaroo. The female lays her eggs — up to several hundred at a time — in the male's pouch, where they remain until they hatch. At that time the male contorts his body and expels the young through the single opening in the pouch. The young emerge as miniature adults, each about one centimetre long. They do not return to the shelter of the pouch, for the opening is too small to admit them, so they must fend for themselves, hiding from their enemies in seaweed and coral.
It is implied in the passage that..........
A | male animals do not usually cany fertilised eggs |
B | seahorses resemble kangaroos in appearance |
C | only a small number of the young seahorses survive |
D | young seahorses live in their father’s pouch until they are fully grown |
E | kangaroos and seahorses are similar in the way they reproduce |
Soru 2 |
One of the most curious characteristics of sea horses is the way they reproduce. The male, not the female, carries the fertilised eggs. On the male's abdomen is a pocket called a brood pouch, which resembles the pouch of a kangaroo. The female lays her eggs — up to several hundred at a time — in the male's pouch, where they remain until they hatch. At that time the male contorts his body and expels the young through the single opening in the pouch. The young emerge as miniature adults, each about one centimetre long. They do not return to the shelter of the pouch, for the opening is too small to admit them, so they must fend for themselves, hiding from their enemies in seaweed and coral.
According to the passage, once young seahorses have hatched, they .
A | leave the pouch permanently |
B | are unlikely to survive |
C | look a lot like kangaroos |
D | will grow to a maximum length of one centimetre |
E | return periodically to their father’s pouch |
Soru 3 |
One of the most curious characteristics of sea horses is the way they reproduce. The male, not the female, carries the fertilised eggs. On the male's abdomen is a pocket called a brood pouch, which resembles the pouch of a kangaroo. The female lays her eggs — up to several hundred at a time — in the male's pouch, where they remain until they hatch. At that time the male contorts his body and expels the young through the single opening in the pouch. The young emerge as miniature adults, each about one centimetre long. They do not return to the shelter of the pouch, for the opening is too small to admit them, so they must fend for themselves, hiding from their enemies in seaweed and coral.
It is clear from the passage that young seahorses...........
A | do not initially know how to camouflage themselves from their enemies |
B | are very similar to coral in appearance |
C | look like grown-up seahorses |
D | do not grow a pouch until they are fully grown |
E | are about one centimetre in diameter |
Soru 4 |
Science was the domain of the philosopher, while technology was in the hands of the craftsman. The two were not brought together until the 16th century, when Francis Bacon suggested that scientists should study the methods of craftsmen and that craftsmen should understand more science. Yet science generally lagged behind technology. The steam engine, for instance, had been widely used for more than 70 years before its scientific basis was well understood. It was only in the middle of the 19th century that the advances of science began to lead engineering and technology, a situation taken for granted today.
According to the passage, prior to the 16th century, .........
A | craftsmen were interested in scientific study |
B | only Francis Bacon had studied both science and technology |
C | scientific thinking developed faster than technology |
D | science and technology were considered separate |
E | scientific studies had led to the invention of the steam engine |
Soru 5 |
Science was the domain of the philosopher, while technology was in the hands of the craftsman. The two were not brought together until the 16th century, when Francis Bacon suggested that scientists should study the methods of craftsmen and that craftsmen should understand more science. Yet science generally lagged behind technology. The steam engine, for instance, had been widely used for more than 70 years before its scientific basis was well understood. It was only in the middle of the 19th century that the advances of science began to lead engineering and technology, a situation taken for granted today.
The author informs us that when the steam engine was first introduced,
A | there had been scientific grounds for it 70 years earlier |
B | science started to lead engineering and technology |
C | science had already given a full explanation of its operation |
D | philosophers were very interested in technology |
E | there was no scientific explanation of how it worked |
Soru 6 |
Science was the domain of the philosopher, while technology was in the hands of the craftsman. The two were not brought together until the 16th century, when Francis Bacon suggested that scientists should study the methods of craftsmen and that craftsmen should understand more science. Yet science generally lagged behind technology. The steam engine, for instance, had been widely used for more than 70 years before its scientific basis was well understood. It was only in the middle of the 19th century that the advances of science began to lead engineering and technology, a situation taken for granted today.
The author points out that science leading technology ..........
A | is not desirable for advancement |
B | is considered normal today |
C | was the case with the stearn engine |
D | came into force 70 years ago |
E | happened thanks to craftsmen |
Soru 7 |
The Anglo-Irish author William Trevor was the rare fiction writer who could write short stories and novels with equal mastery. His exploration of the emotional lives of richly imagined characters in the confines of the short story acquired the admiration of readers worldwide, and many critics labeled him one of the greatest short story writers of the 20th century. In the course of more than 30 years, Trevor had written a substantial body of work — including novels, short stories and screenplays for television and radio — through which he expressed the grand themes of love and death, honour and betrayal, and responsibility and neglect from the perspective of seemingly ordinary characters living seemingly ordinary lives. Trevor's genius lay in his ability to express the drama of common people, who become either the provocative or victims of human evil, who either triumph or give up quietly, in their own fashion.
We learn from the passage that William Trevor's short stories ...........
A | made up his complete body of work |
B | were about real people from around the world |
C | were appreciated less than his screenplays |
D | were written as skilfully as his novels |
E | reflect the limitations of this literary type |
Soru 8 |
The Anglo-Irish author William Trevor was the rare fiction writer who could write short stories and novels with equal mastery. His exploration of the emotional lives of richly imagined characters in the confines of the short story acquired the admiration of readers worldwide, and many critics labeled him one of the greatest short story writers of the 20th century. In the course of more than 30 years, Trevor had written a substantial body of work — including novels, short stories and screenplays for television and radio — through which he expressed the grand themes of love and death, honour and betrayal, and responsibility and neglect from the perspective of seemingly ordinary characters living seemingly ordinary lives. Trevor's genius lay in his ability to express the drama of common people, who become either the provocative or victims of human evil, who either triumph or give up quietly, in their own fashion.
According to the passage, with his characters of the common people, William Trevor explored..........
A | extremes of human emotions |
B | superficial themes |
C | Anglo-Irish politics |
D | rich people who lived extraordinary lives |
E | the lavish lifestyles of die elite |
Soru 9 |
The Anglo-Irish author William Trevor was the rare fiction writer who could write short stories and novels with equal mastery. His exploration of the emotional lives of richly imagined characters in the confines of the short story acquired the admiration of readers worldwide, and many critics labeled him one of the greatest short story writers of the 20th century. In the course of more than 30 years, Trevor had written a substantial body of work — including novels, short stories and screenplays for television and radio — through which he expressed the grand themes of love and death, honour and betrayal, and responsibility and neglect from the perspective of seemingly ordinary characters living seemingly ordinary lives. Trevor's genius lay in his ability to express the drama of common people, who become either the provocative or victims of human evil, who either triumph or give up quietly, in their own fashion.
It is clear from the passage that ...........
A | Trevor produced more novels than short stories |
B | Trevor’s writing career lasted over three decades |
C | no other winter produced as much work as Trevor in the same period |
D | Trevor produced almost the same amount of novels as short stories |
E | Trevor's work mainly appealed to the Irish and the English |
Soru 10 |
At the age of 20, Brahms left home on a concert tour as accompanist to the violinist Eduard Remenyi. It was a tour that was to affect the young composer's future enormously. At one of the concerts Brahms met Joseph Joachim, the famous violinist. Joachim was so impressed with the youth's talents that he introduced him to two important musicians — Robert and Clara Schumann. Robert Schumann was a well-known composer, and Clara Schumann, his wife, was a popular concert pianist. The couple took a liking to Brahms, and they also praised the compositions he played for them. Through an article Schumann wrote about Brahms and his work, the young composer’s name became known to important musical circles in Europe. It was largely through Robert's recommendations that the first compositions by Brahms were published. Clara also added to Brahms’s growing reputation by playing his music at her recitals.
The passage tells us that Brahms's concert tour with Remenyi..........
A | included duets with Clara Schumann |
B | helped to shape his future |
C | was successful due to the young composer’s established popularity |
D | included a piece of his music played by Clara Schumann |
E | was the subject of an article by Robert Schumann |
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